Feneiris Marble Candle Holder | CH002

Feneiris combines a cup-like top with a rounded oval middle and contrasting lower profiles. The featured Oyster Green marble version has pale ivory areas, smoky grey patches and delicate white lines. The photographs show shorter and taller forms in five marble and onyx selections.

Feneiris balances rounded volumes with a clear vertical outline. A broad, cup-like top surrounds a circular opening, while an oval middle section gives the profile its distinctive swelling curve. Below it, the photographed forms use either a domed lower shape or a taller cylindrical section, creating two related but different silhouettes.

The images present these shorter and taller forms side by side. Their upper curves share a similar visual language, yet the contrasting lower sections change their proportions. Narrow transitions between the rounded volumes allow the outline to read as a sequence of softly shaped elements. The stone pattern runs across those curves, adding movement to a composition that is otherwise defined by simple geometry.

The Oyster Green Palette

Oyster Green marble is the featured material. In the main photograph, pale ivory areas meet smoky grey patches and subtle greenish tones, threaded with fine white lines. The broad middle curve exposes several of these markings at once, while the cup-like top offers a different view of the same palette.

Monte Canyon marble shows a light grey-white ground crossed by darker branching veins and warmer accents. Four Season Pink Marble brings a more varied mixture of pink, muted green and cream. Breccia Botticelli marble has pale fragments within a warm grey-green background, with occasional ochre and rose tones. Arco Iris onyx provides a softer cream palette with fine, flowing amber-brown bands. The gallery therefore includes both marble and onyx selections.

Marble and Onyx Choices

Monte Canyon marble
Oyster Green marble
Four Season Pink Marble
Breccia Botticelli marble
Arco Iris onyx

Markings Around the Curves

On Feneiris, the rounded middle can make a single vein or colour patch appear to change direction as it curves out of view. Each piece will have its own arrangement of markings across the top, middle and lower section. Look at their relationship across the complete profile when selecting a piece; the photographed pattern is a reference rather than an identical repeat.